Federico Frum, BA Art and Visual Technology ’05, believes in the power of art to bring people together. Known professionally as MasPaz—Spanish for “more peace”—Frum has spent his career fusing activism and creativity, using bold street murals, community engagement, and cultural storytelling to spread a message of unity.
A multidisciplinary artist based in Washington, D.C., Frum most recently gained national attention for contributing to the design of a stamp for the Art of the Skateboard stamp series for the U.S. Postal Service, a project five years in the making.
“The graphic designer on the project had seen my work at the Smithsonian Folklife Festival and really connected with it—especially coming from a Latino background himself,” Frum said. “When he reached out, I was thrilled. Skateboarding has been a part of my life for years—I even used to have my own skateboard company—so this project felt like home.”
That deep connection to skateboarding culture is more than a personal passion. Frum has worked in skate shops, helped manage an amateur skate team, and continues to sponsor local youth, offering them skateboards bearing his signature artwork.
While Frum’s work often appears on concrete walls, his art is rooted in something older and deeper—his Colombian heritage, Indigenous traditions, and a lifelong reverence for the planet. He draws inspiration from the intricate geometric designs of molas, the handcrafted textiles created by Indigenous peoples in Panama and Colombia.
“Growing up, my mother would hang molas around the house. They became my connection to our land, our ancestry,” Frum recalled. “Now I keep that tradition alive in a contemporary way—using a spray can or a paintbrush but always honoring that cultural lineage.”
His mural work is widely recognized for its themes of earth preservation, Indigenous identity, and community empowerment. But Frum’s impact goes far beyond public art. He visits high school classrooms, co-creating murals with students that are proudly displayed on campus—an invitation for young people to find their voice through art.
“I’ve always felt connected to Indigenous practices and the family dynamic,” Frum says. “And I’ve always respected the Earth. A big part of who I am is about protecting and preserving the planet.”
As a student at George Mason, Frum studied photography and digital art, with a thesis in 3D animation. He credits classes in web design and printmaking with giving him the technical foundation to support his creative vision. He also found mentorship from School of Art professor Chawky Frenn, a fellow advocate for art as a force for peace.
“My heart is filled with so much joy and gratitude to see that Federico is using his artistic voice for social change,” says Frenn, a two-time Fulbright Scholar whose own work explores art and peace. “As teachers, we never truly know what seeds we’re planting—but seeing Federico’s journey is a beautiful reminder of what’s possible.”
Frum’s work has been featured by ABC News, Telemundo, and The Washington Post, and he has collaborated with major institutions including Nike, National Geographic, Sierra Club, Smithsonian Institution, the National Gallery of Art, and the New Museum.
Recently, Frum returned to George Mason’s Fairfax to install We All Belong, a 30-by-30-foot tapestry mural on the Art and Design Building. The vibrant piece weaves together earth elements, ancestral motifs, and community imagery to deliver a powerful message of inclusion.
“It’s about showing that we’re all connected—that we matter,” Frum says. “That art can help us remember: We all belong.”